The Palm Beach Story
Okay, this is a work of genius. Preston Sturges wrote and directed THE PALM BEACH STORY, one of the best screwball comedies ever, made (1942) when the they weren't making many madcap comedies anymore. At least not the type that appealed to adult sensibilities. Like most screwball comedies it's a story of two slightly mismatched lovers, here caught in the fourth year of their marriage. Joel McCrea plays Tom Jeffers, an inventor and builder who's having difficulties making a go of it. Claudette Colbert is his wife Geraldine, a beautiful woman who can't cook or sew and by now feels she's become a bit of a `milestone' to her husband. So it's off to Palm Beach, where she can obtain a divorce, marry a wealthy man and get the $90,000 her husband needs to build his skyline airport. You see, she still loves him, and he still loves her....
The raw materials of comedy are also those of melodrama and tragedy. A story of love imperiled by impending poverty can be taken down...
Spring for This One!
Ignore the carping here from other reviewers about DVD quality (just fine, if short on extras) or the merits of the film -- how ridiculous, when PALM BEACH STORY is one of the funniest, most adult comedies from Hollywood's Golden Age! Colbert has never been more charmingly pragmatic, and the underrated Joel McCrea simmers and stews with virile magnetism and ace comic timing. Throw in stellar supporting turns from Mary Astor and Rudy Vallee (whose rendition of "Goodnight, Sweetheart" sparks the film's finale), the usual Sturges suspects wrecking a train as the hilarious Ale and Quail Club, and the unforgettable Wienie King, my nominee for most endearing supporting performance in any classic movie, and this DVD is a real bargain. If you know the film, you'll be happy with this transfer. If not, sit back and relax -- visiting Paramount's blissfully loony Manhattan and Palm Beach, you're in the hands of masters.
One of Sturges's greatest comedies
This is an absolutely stunning comedy, with one comic shock and delight after another, and hilarious performances by a bevy of some of the best character actors in the history of Hollywood.
Highpoints include a trip on the railroad with the Ale and Quail Club; an introduction to The Weenie King, on of the funniest characters I know of in any film; Rudy Valee's unexpectedly delightful portrayal of a Rockefeller-like multi-millionaire; Mary Astor's excellent performance as Rudy Valee's sister; and a gentleman of unspecified ethnic origin known simply as "Toto."
The opening credits of the movie are among the most fascinating of the thirties or forties. While the credits are running, we see onscreen an entire prequel somehow involving two sets of identical twins (one set played by Joel McCrea and the other by Claudette Colbert).
Preston Sturges is not the best director the United States has ever produced, but he unquestionably enjoyed the finest five year period of any...
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